TBR: Unraveled
August 23rd, 2005Today’s book is Unraveled, by Maria Housden. The subtitle of the book is "The True Story of a Woman Who Dared to Become a Different Kind of Mother" and the "different kind of mother" that Housden became is a non-custodial parent. When she and her husband divorced, she let him have primary physical custody, accepting a standard visitation schedule of alternate weekends and several weeks over the summer. For a while she moved to California to be with her boyfriend (now husband), but now she lives on the east coast, not far from her children. The book challenges its readers’ assumptions, raising the question of why is it shocking that a "good mother" — not one on the brink of collapse like Laura Brown, the runaway housewife of The Hours — would give up custody of her children, when millions of fathers do so all the time.
Unfortunately Housden spends far too long trying to justify her choice, rather than challenging the need to do so. And her justifications left me hollow: "I knew in my heart that my gift in the world was more as an artist than an everyday kind of mother. And my real responsibility to my life, the lives of my children, and the world, was for me to have the courage to create a sense of home and work that would allow me time to explore and express the things I wondered about and knew." I find this language incredibly insulting to the thousands of men and women who manage to be creative artists without walking out on their kids.
I’m not criticizing Housden’s choices. Unlike many of Laura’s commenters, I don’t believe that parents have an obligation to stay in unhappy marriages for the kids’ sake. She had married young, and (at least in her telling) her husband’s expections for their marriage were stuck in the 1950s of the Feminine Mystique. They had watched their 3-year-old daughter die, the sort of crisis that either makes or breaks relationships. Her husband was willing and able to be the custodial parent (with the help of an au pair). But I lost patience with the new-agey language, the constant claims that this was necessary in order to find her authentic self.
Sandra Tsing Loh reviewed Unraveled in the September Atlantic. I requested the book from the library based on the start of the review, only to discover later that Loh hated it, for mostly the same reasons that I did. But Loh then uses the review as a launching point for a semi-coherent rave about Oprah, Anna Karenina, and "female-rage anthologies by overstressed working mothers bitterly wrestling with husbands and playdates and deadlines." If anyone who has read Loh’s review can explain the last two pages, I’d love to hear it
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Updated: Go read Jody’s post on this subject. Thanks.

